
Photos courtesy Lionsgate.
Gods of Egypt, after the first trailer dropped, was immediately scheduled for crusafixion over its casting of almost uniformly white actors in a movie about the Egyptian pantheon, which obviously should be made up of black and Arabic actors. Unfortunately, the movie doesn’t need political reasons to be dragged through the mud because it’s one of the laziest, sloppiest things ever put to film.
If you haven’t seen it, and I hope you haven’t, you don’t understand. This is an affront to filmmaking.
At the movie’s start, god/king Osiris (Bryan Brown) passes the crown to his son, Horus (Nikolaj Coster-Waldeau). However, Osiris’ brother, Set (Gerard Butler) crashes the coronation with an army, kills Osiris and claims the Iron throne for himself. Though intending to kill Horus as well, the love goddess Hathor (Élodie Yung), Horus’ lover, begs for his life, so Set instead mutilates him, plucking out his eyes — the source of his power — and banishing him to the desert. The story centers around Bek (Brenton Thwaites), a mortal pickpocket who witnessed this coup. Like most mortals, he’s enslaved in Set’s reign, but his lover, Zaya (Courtney Eaton), is enslaved to Set’s chief architect, Urshu (Rufus Sewell). With plans Zaya provides, Bek steals one of Horus’ eyes, but Zaya is killed as they escape. Bek finds Horus and gives him the eye on the promise that, if Horus is able to reclaim the throne in nine days, he’ll bring Zaya back from the underworld.
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