‘Last Flag Flying’ thoughtful, may be quite moving

Steve Carell will always be remembered as the oafish boss from The Office, and that’s criminal. He’s completely magnetic in these quiet, repressed roles. In Last Flag Flying, he’s aided by his character getting the Good Angel, Bad Angel treatment in the form of Fishburne and Cranston’s characters. Image courtesy Amazon Studios.

8/10 In 2003, the Bush administration, political pundits and the constant fear of terrorism, which still had that new-car smell, created an atmosphere in which supporting soldiers and supporting the recent invasion of Iraq were one and the same, and god damn any American who didn’t.

In the 2017 film Last Flag Flying, set in December of that year, three veterans still scarred by their experience in Vietnam lambaste the government for sending a new generation of soldiers to die in what they see as another unnecessary proxy war.

Doc Shepherd (Steve Carell) has lost his son in the Iraq invasion. He seeks out his closest friends from his time overseas 30 years prior, two-bit bar owner Sal Nealon (Bryan Cranston) and reformed minister Richard Mueller (Laurence Fishburne), the only human connections he has left. Having served in America’s first unpopular war and burying a casualty of its second, Shepherd is outraged and refuses to allow the military to have his son in death — not to bury him a hero, not even to help pay for his funeral. He, Nealon and Mueller go to Arlington to collect the body and bring it home to suburban New Hampshire.

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‘Lady Bird’ just as likeable as you’ve heard

Arm? What fucking arm? Image courtesy A24.

7/10 Lady Bird was at one point the best reviewed movie in Rotten Tomatoes history, and that’s a badge it can wear without deceit. This is without a doubt one of the most universally likeable, inoffensive movies, one of the safest bets for everyone to have a good time in the theater, ever made.

Christine McPherson (Saoirse Ronan) is in her senior year of a Sacramento Catholic high school. McPherson is the kind of above-it-all disconnected from her class that even though she insists on being called “Lady Bird,” she genuinely hadn’t noticed that her school has a drama club. The film follows her through the year, focusing on her ill-advised lovers, her internalized classism and her suffocating relationship with her mother, Marion (Laurie Metcalf).

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‘Sacred Deer’ a step down, but still Yorgos

Images courtesy A24.

8/10 The Killing of a Sacred Deer is one of those mysteries that’s coy about major plot elements, so consider this entire review marked for mild spoilers

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Martin (Barry Keoghan), high school student aspiring to become a medical professional, has struck up a mentor relationship with skilled heart surgeon Steven Murphy (Colin Farrell). Though Martin’s father is initially stated to have died instantly in a car accident 10 years earlier, it’s later revealed that he made it to the hospital and died on Murphy’s operating table. As revenge, Martin tells Murphy that his wife and children will first be paralyzed from the waist down, then refuse to eat, then hemorrhage from the eyes and then finally die. Martin tells him the only way to break this curse is to choose and kill one of his afflicted family members and destroy his own family the way he destroyed Martin’s.

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Cannes champ ‘The Square’ a mass-appealing delight

The Square’s publicity imagery is based completely around this isolated scene, in which Oleg (Planet of the Apes franchise veteran Terry Notary) imitates an ape and attacks the scene’s 300 extras as “art.” The scene is based on a real-life act by Oleg Kulik. Despite being seemingly disconnected from the rest of the film, this scene, and this image, brilliantly captures the tone and message of The Square. Image courtesy Magnolia Pictures.

9/10 The Square might just be the most broadly appealing film you’ve never heard of.

In Stockholm, museum curator Christian (Claes Bang) hires a public relations team to build press for a new exhibit called The Square, and chaos ensues. American journalist Anne (Elizabeth Moss) arrives to interview Christian, and the two become sexually involved. After being robbed, Christian tracks his stolen phone to a nearby apartment complex and leaves a threatening message to all of its tenants, and though his phone and wallet are returned, he’s stalked by a small boy whose parents grounded him over the letter. And the PR firm makes waves in the wrong way when it publishes a commercial for The Square in which a homeless child is bombed.

Despite its Palm d’Or victory, vague artsy marketing and minute release that peaked at 63 theaters, The Square is a surprisingly friendly, accessible film. Its comedic patterns have been drawn many times before, but writer/director/editor Ruben Östlund expertly converts on the film’s satire and absurdism.

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I’m not in love with ‘Coco’

Images courtesy Walt Disney Studios Motion Pictures.

6/10 I wouldn’t call Coco a misstep or an unwanted hug, but it’s not a very strong film.

In the fictional Santa Cecilia, Mexico, the Riveras are a family of renowned cobblers going all the way back to Mamá Imelda (Alanna Ubach), who took up the practice after being abandoned by her musician husband with their young daughter, Coco (Ana Ofelia Murguía). Imelda swore that no member of her family would ever study or even listen to music. Now dead, her great-great grandson, 12-year-old Miguel (Anthony Gonzalez), dreams of becoming a musician, despite the family tradition. When Miguel discovers that his absentee great-great grandfather may in fact be Ernesto de la Cruz (Benjamin Bratt), the most famous musician in Mexico, he sprints off to the singer’s mausoleum.

With a strum of de la Cruz’ guitar, Miguel is transported to the land of the dead. He must receive his ancestors’ blessing before the end of Día de Muertos or remain there forever, but Imelda will only give it to him on the condition that he forswear music, and none of his other ancestors will go against their matriarch. With the help of Hector (Gael García Bernal), Miguel’s only choice is to seek out and win the blessing of de la Cruz himself.

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