‘Darkest Hour’ an outdated, uninspired snooze

Hungry, Hungry Gary Oldman. Images courtesy Focus Features.

3/10 Set in World War II and marketed on the strength of a respected star with an empty mantel, Darkest Hour is exactly the kind of movie that’s going extinct as the Academy focuses more on social justice and diversity and its Greatest Generation holdovers start to die out.

Thank everything that’s holy for that.

Darkest Hour relates the first month of prime minister Winston Churchill’s (Gary Oldman) government, formed as the British were being beaten out of France by Nazi Germany in the spring of 1940. Churchill came to power replacing Conservative Party leader Neville Chamberlain (Ronald Pickup), who was ousted for his handling of the war, as an equally unpopular compromise from both the conservative and labour parties. In the film, Chamberlain and foreign secretary Viscount Halifax (Stephen Dillane), Chamberlain’s first choice for the position, conspire to undermine Churchill and make peace with the Nazis, which amplifies Churchill’s silent uncertainty that Germany can be beaten. The tensions culminate into the Miracle of Dunkirk, which you might have heard of elsewhere.

Continue reading →

Posted in Entropy | Tagged , , , , , , , , , | Leave a comment

‘Disaster Artist’ doesn’t understand life, does it

Images courtesy A24.

4/10 The Disaster Artist awkwardly begins with a bunch of director/star James Franco’s friends talking about how much they love The Room. Parks and Recreation star Adam Scott notes that even though The Room is an awful film, it’s widely remembered, and no one talks about whatever movie won the Oscar that year.

The 2003 Best Picture winner was Lord of the Rings: Return of the King, which tied Ben-Hur and Titanic for the most Oscars won with 11, sired a steady stream of media that continues to this day and single-handedly brought high fantasy back as a genre.

Scott is making a generally plausible point — the Best Picture winners on either side of that are Chicago and Million Dollar Baby, two excellent titles you probably haven’t thought about in a long time now — but with the worst possible example because he’s not thinking. It’s a fantastic opening for a movie that spends the next two hours doing pretty much exactly that — plastering a generic story about big Hollywood dreams you’ve probably heard a thousand times over a unique and much more interesting specific example.

Continue reading →

Posted in Entropy | Tagged , , , , , , , , , , , , , , | Leave a comment

‘Bright’ is spectacular, but don’t take my word for it

Image courtesy Netflix.

8/10 Bright is an urgent, richly woven film about one bad night in Los Angeles anchored by two sure-handed lead actors.

In the world of Bright, orcs, elves and fairies have existed alongside humans since the age of magic thousands of years ago. Daryl Ward (Will Smith), a street cop five years away from his pension, is saddled with Nick Jakoby (Joel Edgerton), the world’s first orcish police officer, for a partner. On a routine call to a nasty neighborhood, they find a live bomb — a magic wand, artifacts so rare and so dangerous to use they’d long been thought extinct. In the hands of a “bright,” or magic-adept person, the wand’s power is limitless, and the officers Ward and Jakoby call in for backup immediately turn on them when they realize how much they stand to gain from it. They spend the night on the run from the police, human gangs, orcish gangs and the inferni, a cult of elves who want to use the wand to resurrect the dark lord.

Continue reading →

Posted in Entropy | Tagged , , , , , | Leave a comment

Spoiler alert — ‘The Last Jedi’ isn’t very good

Images courtesy Walt Disney Studios Motion Pictures.

4/10 Star Wars: The Last Jedi is a colossal technical failure. It is a clear-cut case of “good story poorly told,” and that’s very painful because there are far more good ideas here than bad ones. Poor editing, which arises from trying to fit in a ridiculous, go-nowhere B  plot, completely ruins the movie.

Under the smarmy, charlatan shroud that executive producer J.J. Abrams places on all his projects, even basic plot details are spoilers, but storyboarding is a major problem with The Last Jedi, so we do need to get into it to do this properly. Spoilers below.

Continue reading →

Posted in Entropy | Tagged , , , , , , , , , , , , , , , , | 2 Comments

‘Three Billboards’ a stellar awards frontrunner

Image courtesy Fox Searchlight Pictures.

10/10 Three Billboards Outside Ebbing, Missouri is an acerbic, heartfelt masterpiece from a playwright who seems like he can’t stop producing them.

Eight months before the film’s start, Angela Hayes (Kathryn Newton) is immolated and raped. Tired of hearing nothing on the case, her mother Mildred (Frances McDormand) rents out three billboards on an unused road describing the crime and singling out sheriff Bill Willoughby (Woody Harrelson) for having not produced even an arrest. Willoughby, for his part, had done his best with a stone-cold crime — there were no witnesses or DNA matches to go on. Willoughby is a broadly respected figure in the town of Ebbing, and Mildred Hayes faces social, legal and violent backlash from every angle, especially officer Jason Dixon (Sam Rockwell).

Continue reading →

Posted in Entropy | Tagged , , , , , , , , | Leave a comment