The bubble bursts- on Moviepass and the rise of monopoly-class movies

Images courtesy Walt Disney Motion Picture Studios. All of them.

When I started doing these Labor Day summer wrapups five years ago, what I identified — and what plenty of other people identified — was a crashing bubble at the domestic box office, and after a rebound year in 2018, it looks like that crash has finally happened. 

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Margot Robbie’s ‘Hide and Seek’ a hellish delight

It looks underlit in many stills, but the sinister aura of the Le Domas mansion is probably my favorite part of Ready or Not. Images courtesy — oh come on, seriously? Images courtesy Walt Disney Motion Picture Studios.

8/10 Sifting through an August overflowing with movies that wouldn’t compete with Disney for the prime summer months, we find another one of the last Fox movies, unceremoniously dumped on a mid-August Wednesday by its new owner, ironically, Disney. The film, Hide and Seek–

Actually it’s not called Hide and Seek, that title was very taken. No fewer than 14 movies are called Hide and Seek, the most famous of which was a 2005 one starring Robert De Niro. It was kind of like Fight Club, but also a slasher? It had nothing to do with hide and seek. No, our feature today instead chose to be the only film called Ready or Not–

Actually no, this is the second American movie in just 10 years called Ready or Not. Anyway, the film stars Margot Robbie as–

Actually no, that’s someone called Samara Weaving. Says here she’s Hugo Weaving’s niece? They’re both Australian, does that count?

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‘Angel’ falls forward onto weekend crown, Disney looms over Sony

Lionsgate’s Angel has Fallen rose high above industry expectations with an opening of $21.4 million, nearly matching its 2016 predecessor London has Fallen. It’s the series’ worst opening, but the first entry to spend time at no. 1. Other new release Overcomer also did better than expected, grabbing the no. 3 slot with $8.2 million, and Ready or Not did quite well with $8 million for a no. 6 finish. The no. 2, 4 and 5 slots were occupied by holdovers Good Boys, The Lion King and Hobbs & Shaw- Box Office Mojo

Quentin Tarantino’s Once Upon a Time in Hollywood hit the $200 million mark internationally this weekend, making it just the second original film to hit that mark in 2019 alongside Jordan Peele’s Us- The Hollywood Reporter

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They can’t make ‘Quality has Fallen’ puns when the quality was already pretty low

Keeping most of Angel has Fallen in the eastern backwoods both gives it a nice grimy tinge and mildly suppresses production costs. Images courtesy Lionsgate.

3/10 I really don’t want to think about Gerard Butler as a weirdo-James Woods type who makes movies to deliberately overcorrect for “liberal Hollywood” because he’s so talented, but it’s getting kind of ridiculous. The guy’s from Glasgow, but he’s spent the past decade self-producing these hyper-patriotic Die Hard knockoffs where he personally defends the president that all feel designed more for to deliver a political message and let Butler play out his ‘80s action hero fantasies than to entertain.

They’ve all got moments where a high-ranking official recites something mundane like the pledge of allegiance or the oath of office as a defiant statement against foreign forces, and his character is always thinking about retiring but learns that protecting the political hierarchy is the most important thing in the world, and there’s always more. They’re all full of awkward moments as they go out of their way to incorporate political ideology. Olympus has Fallen is basically all about gun control, and London has Fallen is much less gracefully about nationalism and paranoia, to the point that it drew attention for being kind of racist.

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‘Good Boys’ wins weekend, ‘Mulan’ facing calls for boycott

Universal’s Good Boys outperformed expectations, coming away with the weekend crown with $21.4 million. Of the four other new releases, only The Angry Birds Movie 2 with $10.4 million for a no. 4 place finish drew more than $10 million. Holdovers Hobbs & Shaw and The Lion King kept the nos. 2 and 3 slots with $14.2 million and $12.3 million, respectively- Box Office Mojo

Good Boys is only the third original movie to release at no. 1 in 2019, and the first comedy, a genre studios were reportedly beginning to give up on after numerous hyped releases opened much further down the charts- The New York Times

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