Tag Archives: The Irishman

‘Angel’ falls forward onto weekend crown, Disney looms over Sony

Posted on August 27, 2019 by reelentropy

Lionsgate’s Angel has Fallen rose high above industry expectations with an opening of $21.4 million, nearly matching its 2016 predecessor London has Fallen. It’s the series’ worst opening, but the first entry to spend time at no. 1. Other new … Continue reading →

Posted in The Möbius strip | Tagged #china, #Disney, #lionsgate, #martin scorsese, #sony, #the lion king, Angel has Fallen, D23, Good Boys, Harvey Weinstein, Hobbs & Shaw, Hong Kong protests, Jeff Goldblum, Kevin Feige, Marvel, MoviePass, Mulan, No Time to Die, Once Upon a Time in Hollywood, Overcomer, Ready or Not, Spider-Man, Spider-Man: Far From Home, The Hunt, The Irishman, Us, Weathering With You | Leave a comment

On Netflix, ‘Roma’ and Auteur Theory

Posted on January 30, 2019 by reelentropy

Ever since Netflix began to produce and procure original content in 2012, it has struggled to legitimize itself in the eyes of mainstream trendsetters. This has been no real trouble for the company whatsoever – Twitter and other social media … Continue reading →

Posted in Reel understanding, White Noise | Tagged #martin scorsese, #Netflix, Auteur Theory, directors are fucking whackos, French New Wave, German Expressionism, Joel and Ethan Coen, New Hollywood, Roma, The Ballad of Buster Scruggs, The Irishman | Leave a comment

Tag Archives: The Irishman

‘Angel’ falls forward onto weekend crown, Disney looms over Sony

On Netflix, ‘Roma’ and Auteur Theory

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