The most important movies of 2017

Image courtesy Universal Pictures.

Top 10 lists are stupid and dumb and boring to write and boring to read. At Reel Entropy, we know better, so we do better — instead of talking about the best movies of the year, we’re going to bring you a list of what look to be the most influential.

Get Out

Jordan Peele’s vicious social satire came out early and dominated headlines for months, and has begun to take them over again as awards voters thrust it back into the public eye. The film skewering the under-the-surface racism of liberal America released on wave of horrifying police violence against black Americans and with the general public’s tacit endorsement of Donald Trump’s overt racism still a fresh wound.

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‘Molly’s Game’ spectacular

Chastain is an absolute force and the engine that drives this movie. It’s insane to think that she’s relegated to second-tier status in a shockingly crowded Best Actress race. Image courtesy STXfilms.

9/10 Aaron Sorkin has been holding out on us.

Molly’s Game, the revered writer’s directorial debut, is based on the life of underground poker mistress Molly Bloom (Jessica Chastain, with Samantha Isler and Piper Howell playing her as a teenager and a child). The film follows her through three parallel time periods — her youth before scoliosis ruined a promising skiing career, her life running exclusive high-stakes underground poker games in Los Angeles and New York, and the federal prosecution against her after the Russian mob started using her games to launder money.

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Salvage operation ‘All the Money in the World’ is pristine

Images courtesy TriStar Pictures.

7/10 Come one, come all, see the star-studded year-end Oscar contender you’ve come to expect in late December! It’s a true story brought to you by a name director and a cast that brings everything to the table! We’ve spared no expense to bring in Mark Wahlberg for his box office star power, Michelle Williams for her all world talent, and Christopher Plummer for his availability!

All the Money in the World tells the real life story about the kidnapping of John Paul Getty III (Charlie Plummer), who spent five months in captivity after disappearing from Rome in July 1973. The grandson of oil tycoon J. Paul Getty (Christopher Plummer), Getty III is set for a ransom of $17 million, but fearing that his other grandchildren would become targets, the senior Getty won’t pay it. Instead, he hires former CIA agent Fletcher Chase (Wahlberg) to retrieve his grandson the hard way.

Caught in the middle of it all is Gail Getty (Michelle Williams), John Paul III’s mother. Gail married into and divorced out of the family because of her ex-husband John Paul Getty Jr.’s (Andrew Buchan) alcoholism, an affliction that boxes him out of the current crisis. Gail must herself deal with her former father-in-law, who resents her for taking his grandchildren.

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‘Downsizing’ can’t find the intrigue in its own story

Well the small person effects are pretty fun, at least. Image courtesy Paramount Pictures.

4/10 Downsizing has some big ideas, but it can’t convert its passive protagonist into a more interesting movie.

In an attempt to save the human race from extinction while reducing the catastrophic effect we have on the planet, scientist Jørgen Asbjørnsen (Rolf Lassgård) develops a procedure to reduce living creatures to around 2 percent of their mass and volume with no consequences. Asbjørnsen and global governments set up communities for the tiny people who undergo the procedure, who are then able to live like kings because of how few resources that would then take, but over a 15-year period, the technology is quickly incorporated into the unrelenting hellscape of socio-political injustice the ’10s have become. Dissidents in oppressive countries are downsized against their will, people who choose to downsize face persecution because of the effect they’re having on the economy, and the same distinctly racial systems of inequality quickly form within downsized communities.

But Downsizing takes place far from the troubles associated with the procedure. It follows Paul Safranek (Matt Damon), who decides to get small with his wife Audrey (Kristen Wiig) but is abandoned by her soon after. After a year of declining economic status because of their divorce and his failure to transfer his medical license, Safranek meets Serbian partyboy Dusan Mirkovic (Christoph Waltz), who makes a fortune trading on the price difference between regular-sized and small sized goods.

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‘Shape of Water’ enjoyable, can’t help but feel underwhelming

So we’re just gonna gloss over how weird it is to want to have sex with a frog person? Call it a “love is love” thing? OK, I guess. Images courtesy Fox Searchlight Pictures.

8/10 The no. 1 movie of the year at the box office is Beauty and the Beast. Its top Oscar contender is Mutey and the Frog Person.

Guillermo del Toro’s The Shape of Water follows Elisa Esposito (Sally Hawkins), who serves as the janitor at a top-secret government facility in Baltimore alongside Zelda Fuller (Octavia Spencer). One day, Robert Hoffstetler (Michael Stuhlbarg) and Col. Richard Strickland (Michael Shannon) bring in a top secret specimen to study in the hopes that it’ll help them in the space race. Esposito and Fuller are given access to the chamber to clean it, and they discover it’s a frog person (Doug Jones). Esposito was rendered mute as an infant. She starts teaching it sign language, and she starts to fall in love with the frog person. Eventually, she needs to boost it from the facility, because Strickland wants to dissect it.

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