Concu– CTE movie encourages brain health by putting viewers to sleep

A concussion is, essentially, a brain bruise caused by the organ smashing against the skull, causing damage that can last from weeks to years. Chronic traumatic encephalopathy is a long-term degenerative disease caused by decades of concussive and sub-concussive blows to the head. It was previously known as dementia pugilistica or punch-drunk syndrome, initially discovered in 1928, so Omalu really didn’t discover anything. This is important! Photos courtesy Columbia Pictures.

The new movie Concussion isn’t about concussions at all, but about the discovery of chronic traumatic encephalopathy, an entirely different brain disease. It is the opinion of this publication that misnaming the movie is a deceitful, underhanded attempt by the producers to attract more viewers, given that concussions are a much more talked-about injury. As such, for the duration of this review, the movie shall be referred to as Chronic Traumatic Encephalopathy.

Chronic Traumatic Encephalopathy starts with Pittsburgh Steelers legend “Iron” Mike Webster (David Morse), who won four Super Bowls with the team between 1975 and 1980, being inducted into the Pro Football Hall of Fame. He would die five years later a divorced, financially ruined, self-mutilating wreck. Pittsburgh Medical Examiner’s Office coroner Bennett Omalu (Will Smith), unsatisfied that a simple heart attack killed Webster, dug deeper into his death and discovered irregularities in his brain tissue. Over the next few years, Omalu discovers similar symptoms in several other NFL players who died young and reportedly experienced depression and dementia after retirement. Omalu goes on a crusade to get the NFL to acknowledge the new-found dangers of football. He gains allies along the way — his boss at the medical examiner’s office, Cyril Wecht (Albert Brooks), and former Steelers team doctor Julian Bailes (Alec Baldwin) — but also faces stiff competition from the league, which desires to keep his research under wraps. Omalu also meets a woman, Prema Mutiso (Gugu Mbatha-Raw), and gets married, but despite what the movie thinks, this aspect of his life is really unimportant to this story.

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Joy sunk by baffling editing

Editing in movies is a defensive job — if it’s done well, you don’t notice, but if you do notice, it’s because something went wrong, and something went very badly wrong with Joy. 

This scene is what makes the editing decisions in Joy so hard to pin the blame for. There simply has to be a better take of this delivery, but someone chose the one with the 30-second pause. Photos courtesy 20th Century Fox.

The movie is a biopic — it’s not a biopic, writer/director David O. Russell wanted to create a movie that was “half-fiction.” We’ll get into that later — The movie is a non-biopic about Joy Mangano (Jennifer Lawrence, Isabella Crovetti-Cramp in child scenes), the entrepreneur who invented the self-wringing Miracle Mop in 1992. She currently holds more than 100 patents and brings in more than $150 million per year for HSN, where she sells her wares personally. The movie goes through her invention of the mop and her difficulties selling it, from direct-response salesmen who couldn’t work the product to fraudulent manufacturers.

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And the Daddy of the Year Award goes to…

Nobody really pays attention to certain kinds of movies, and that’s a problem. Every movie is an entire wold unto itself. Every one has its own reality, its own implicit philosophy and morality. And with millions of people at least seeing each one, that morality matters.

Daddy’s Home tells the story of a broken family recently made whole by new husband and stepfather Brad Taggart (Will Ferrell). An overly enthusiastic adoptive parent, Taggart has trouble getting his young stepchildren, Sarah (Scarlett Estevez) and Dylan (Owen Vaccaro), to accept him. To make matters worse, upon learning his ex-wife Sarah Taggart (Linda Cardellini) has re-married, her intimidating first husband, Dusty Mayron (Mark Wahlberg), unexpectedly returns to mark his territory.

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The Big Short too directly inspired

Hey, remember 2013’s The Wolf of Wall Street? Want to watch a shorter, lower-quality version? Well, have I got a movie for you!

Everybody’s name was changed in this adaptation except Burry’s, and I can’t figure out why. All information on the real-life people these characters are based on is readily available. Images courtesy Paramount Pictures.

The Big Short, based on Michael Lewis’ 2010 non-fiction book The Big Short: Inside the Doomsday Machine, is about the investors who predicted and profited from the 2007 housing market collapse, hedge fund manager Michael Burry (Christian Bale), money manager Mark Baum (Steve Carell, based on the real life Steve Eisman) and his team, Cornwall Capitol founder Jaime Shipley (Finn Wittrock, based on the real life Jamie Mai) and Deutsche Bank trader Jared Vennett (Ryan Gosling, based on the real life Greg Lippman), who narrates. The movie depicts them essentially inventing a new kind of deal so they could short on this market, as banks were so confident in the mortgage bundles they didn’t have a method to invest in their failure.

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Star Wars: The morning after

Picture related to film’s performance, not really related to its plot. Photo courtesy Walt Disney Studios Motion Pictures.

It was pretty much a given that Star Wars: The Force Awakens was going to take several box office records. This is just to round up the ones it took on opening weekend and give a little context for each one.

Widest December release of all time- 4,134 theaters:  This was the widest December release of all time, breaking the record held by The Hobbit: An Unexpected Journey, which opened in 4,045. The overall record holder is The Twilight Saga: Eclipse, which released on 4,468 screens for Independence Day weekend in 2010. It’s important to understand that December is not traditionally a big month for movies, as most Americans are spending time with their families and whatnot. Several of the records The Force Awakens broke were set in May, June and July, the traditional blockbuster hay days.

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