Tunneling into the ruins of #metoo in ‘Barbarian’

Images courtesy 20th Century Studios.

7/10 Five years after The New York Times broke that Hollywood mogul Harvey Weinstein was accused of varying degrees of sexual misconduct by dozens of women who had come to him for employment and used his wealth, power and reputation to systematically cover it up, a story that took decades to report and which set off an international reckoning with sexual assault mostly under the banner of the #metoo movement, it’s difficult to see whether or not the world has really changed. The revelation of the scale of abuse, the horrifying realization of old sexist jokes was shocking, but the way the reporting played out made it seem unlikely that any real change could result. Barbarian bores into this anxiety, the knowledge of the scope of abuse and the creeping, back-of-your-head understanding that nothing is going to change.

476 Barbary St., Brightmoor, Detroit- Tess Marshall (Gerogina Campbell) arrives at her Airbnb to discover it double-booked and Keith Toshko (Bill Skarsgård) already settled in. They arrange to share the house, but the next day, Marshall discovers an underground lair with evidence of human captivity.

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Yearn and soar with ‘Three Thousand Years of Longing’

Images courtesy Metro-Goldwyn-Mayer.

9/10 Three Thousand Years of Longing is an epic psychedelic romance that makes you feel every second, not of its 108 minutes, but of its sweeping millennia.

Room 333 of the Pera Palace Hotel in Istanbul- At a fiction conference, esteemed narratologist Alithea Binnie (Tilda Swinton) discovers the bauble she picked up at the Grand Bazaar contains a djinn (Idris Elba). Only able to return to the djinn afterlife after successfully granting three wishes, the djinn is desperate to please, but Binnie, an expert on historical fiction, is naturally wary of any “three wishes” pitch. To earn her trust, the djinn tells Binnie of his 3,000 years of captivity and longing.

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All the awful ‘Bodies’

A fairly common experience when looking through available media for posts about really bad movies is all of the imagery is indistinguishable. There’s an avalanche of multi-character wide shots for this movie that are all of them arguing about what they should do next and all feel interchangeable, I can’t even tell what plot point this is after. Images courtesy A24.

2/10 Bodies Bodies Bodies attempts to be insightful and fails, a movie that isn’t completely without merit, but is less interested in bringing its merits to the foreground than it is in having a good time despising itself and its characters.

In Bodies Bodies Bodies, a bunch of awful 20-somethings who all hate each other gather for a “hurricane party.” The night immediately disintegrates into a food fight of hostility, selfishness and weaponized therapy language.

Where media is often described as a love letter to its source material, Bodies Bodies Bodies is hate mail, a flaming turd not laid on a specific porch, but stuffed into the mailbox of Generation Z as a broad class. The core concept of this movie is so hateful and so uninteresting that there can be no constructive criticism, it’s impossible to imagine a good version of this movie. It simply should not have been made.

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‘Prey’ is a whole new animal

Stone age and space age in one shot. Images courtesy Hulu.

9/10 I was about a month late to the Hulu original Prey, but it’s obvious from the first few seconds that this is one of the best films of the year and almost certainly the best movie in the entire Predator franchise.

The Great Plains, 1719- Naru (Amber Midthunder), a young Comanche woman who dreams of becoming a great hunter, witnesses a Yautja ship descend to Earth, which she interprets as a mythological thunderbird cuing her to prove herself to her tribe by hunting the most dangerous game around. She joins a rescue party searching for a peer who hasn’t returned from such a quest, hoping to kill the mountain lion herself, but she and her tribe mates find themselves prey to something much more dangerous. 

Prey is an absolutely gorgeous ode to the American wilderness. Shot on Stoney Nakoda land west of Calgary at the foot of the Alberta Rockies, director Dan Trachtenberg and cinematographer Jeff Cutter use anamorphic lenses and natural lighting of the 14-15 hour Alberta summer days to tell a story about competing relationships with nature. Prey’s subtext is rich and much more dramatic than its main narrative, and a lot of that is because you can see it – the subtext is the land, and the land is the star of every shot.

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‘The Invitation’ this year’s cheap, late-summer gem

Awesome. Images courtesy Sony Pictures Releasing.

8/10 The Invitation is exactly the kind of easily skippable highlight that rewards me for trying to see everything I can.  

When newly orphaned Evie Jackson (Nathalie Emmanuel) discovers a second cousin Oliver Alexander (Hugh Skinner) on an ancestry website, he invites her to a wedding in the English countryside. The New York City waitress accustomed to late payments and sexual harassment suddenly finds herself an honored guest in a well-staffed English manor and a favorite of its master, Walter Deville (Thomas Doherty), and I don’t want to spoil anything, but the movie cites Bram Stoker’s “Dracula” as its inspiration, so.

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