Warren Beatty returns to the silver screen in sharp Hughes biopic

Images courtesy 20th Century Fox.

Rules Don’t Apply is a movie split in half between joy and somberness, the big-eyed dream of Hollywood and its unremarkable reality. It’s an extremely good and interesting film.

Too bad no one will ever see it.

Rules Don’t Apply is partially a biopic of Howard Hughes (Warren Beatty, who also writes, directs and produces his first film in 15 years), but is mostly a love story between aspiring actress Marla Mabrey (Lily Collins) and Frank Forbes (Alden Ehrenreich), one of Hughes’ drivers. Hughes is a super-creepy old man who keeps a network of young actresses he brings in to Hollywood and drivers he maintains for them whose explicit purpose is to make sure the actresses don’t have sex. The drivers are strictly forbidden from trying anything, both characters are deeply Christian and Forbes has a fiance, Sarah Bransford (Taissa Farminga), back in Fresno, but he and Mabrey can’t keep their eyes off each other. Their sexual tension builds and eventually erupts. Then, the movie wakes up to a sobering second half in which they quickly split and their lives crumble.

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Director, star spoil intriguing spy movie

Images courtesy Paramount Pictures.

Robert Zemeckis and Brad Pitt each owe Steven Knight a stiff drink. He wrote a sharp, intriguing film and they ruined it.

Allied follows a pair of spies, Max Vatan (Pitt) and Marianne Beausejour (Marion Cotillard). Tasked with assassinating the German ambassador in Casablanca, French Morocco, the duo falls in love on the job. A couple of years later, they’re married with a child in London, but Vatan is informed that Beausejour may have been a Nazi spy all along. He is tasked with disinforming her and executing her if the charges prove true.

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‘Nocturnal Animals’ gets you your visual storytelling fix

Images courtesy Focus Features.

Steven James
@StevenLeeJames

If you are not just a fan of great acting and writing, but also appreciate the use of lighting and color to produce top-notch visuals — the kind that should be the norm and not the exception — Nocturnal Animals is the movie for you.

Art gallery owner and insomniac Susan Morrow (Amy Adams) receives the manuscript of an upcoming novel written by her ex-husband, Edward Sheffield (Jake Gyllenhaal), which is titled Nocturnal Animals after his nickname for her. One evening, she begins reading the novel, which gives her flashbacks of her time with Sheffield, as well as her overbearing mother, Anne Sutton (Laura Linney). She reads the novel on-again, off-again, continuing to have flashbacks. She is impressed with his writing, and tries to meet with him.

The movie itself, though, is actually about reflections.

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The Open Bar Review – Fantastic Beasts and Where to Find Them

Paul and I discuss our issues with Fantastic Beasts and Where to Find Them — its length, its myriad plots and its problematic ending. Detailed spoiler warning.

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The Open Bar Review – Arrival

Paul and I talk about how much we loved Arrival and the high perch on which director Denis Villeneuve sits.

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