‘Battle of the Sexes’ an unexpected delight

It’s so incredibly strange in 2017 to watch a movie about people going into a conversation on opposite sides of women’s rights and coming out of it as friends. Images courtesy Fox Searchlight Pictures.

8/10 Battle of the Sexes is one of those wonderful biopics that concerns much more than the events it depicts.

On the surface, the film chronicles the lives of Billie Jean King (Emma Stone), a tennis star in her prime, and Bobby Riggs (Steve Carell), who had been a two-time world champion in the mid-40s, in the leadup to their 1973 tennis match billed as the Battle of the Sexes. King had been fighting an uphill battle for equal pay for female tennis players, officially splitting off from the Association of Tennis Professionals to form the Women’s Tennis Association over the issue. Upon hearing this, Riggs, famously a businessman and a bit of a ham, challenged King to a tennis match, claiming that even at age 55, he could beat even the top woman player in the world. Drawing a global viewing audience of 90 million, their duel remains one of the most watched tennis matches in history.

Riggs’ chauvinism was widely dismissed as an act to draw attention to the match, and he and King remained friends until his death in 1995. Considered one of the best tennis players of all time, King came out as gay in 1981 and was awarded the Presidential Medal of Freedom in 2009 for her contributions to tennis, women’s rights and the LGBT community.

Continue reading

Posted in Entropy | Tagged , , , , , , , , | Leave a comment

The Möbius Strip: ‘Kingsman,’ ‘The Princess Bride’ turns 30, Austin film scene implodes

As expected, Kingsman: The Golden Circle easily took the top spot last weekend with $39 million. Other new releases The LEGO Ninjago Movie and Friend Request disappointed, one much more severely than the other- Box Office Mojo

Sliding to no. 2, It overtook The Exorcist to become the highest-grossing R rated horror film of all time last week- Variety

Riding the spike It is creating in Stephen King’s popularity, Netflix will release two critically acclaimed King adaptations Gerald’s Game and 1922 later this year- Indiewire

Continue reading

Posted in The Möbius strip | Tagged , , , , , , , , , , , , , | Leave a comment

‘Kingsman’ is a cacophony

While most movies show off their plot details and hide spoilers, the advertisement campaign for Kingsman: The Golden Circle shared almost no plot details, instead actively focusing on which characters die and which come back to life. Images courtesy 20th Century Fox.

4/10 Man, and I thought mother! was excessive.

Kingsman: The Golden Circle feels like it was based on the make-believe session of a 5-year-old who watched too many Brosnan-era James Bond movies. It starts with the international spy organization, the Kingsman, being wiped out by international drug kingpin Poppy Adams (Julianne Moore) with the help of a detachable remote-controlled bionic arm. Surviving Kingsmen Eggsy Unwin (Taron Edgerton) and Merlin (Mark Strong) discover a sister organization in the U.S., the Statesman, full of agents code-named after alcoholic beverages. The previous film’s agent Galahad, Harry Hart (Colin Firth) is still alive and pursuing his passion of lepidoptery, there’s a vagina-based tracking device and before you know it, Sir Elton John (himself) is fighting robot dogs.

Continue reading

Posted in Entropy | Tagged , , , , , , , , , , , , , , , , | Leave a comment

The strange, inconclusive summer of 2017

Despicable Me 3. Image courtesy Universal Pictures.

Yeah, I know Labor Day was two weeks ago, fuck off

It’s been a summer of transition at the movies. Transition to what? Who knows. There are several narratives to spin based on the number of movies that were released this year that you wouldn’t expect in a summer lineup, but the numbers don’t really bear any of them out.

Continue reading

Posted in White Noise | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Aronofsky fever dream aims to be ‘mother!’ of all biblical adaptations

As ancient as most of the subject matter is, mother! also has a lot to say about femininity in a modern context. The lead spends most of the movie ignored and disrespected, either by disrespecting her home or unabashed confrontation. Images courtesy Paramount Pictures.

8/10 Writer/director Darren Aronofsky has made a horror movie about inconsiderate house guests, and it is one of the most gripping, audacious things I have seen in my entire life.

A woman, known in the script only as mother (Jennifer Lawrence), lives in an idyllic, isolated mansion with her husband (Javier Bardem). The mother built their house herself and spends her days perfecting it while her other half, a famous poet, stares at his desk in an eons-long bout of writer’s block. One day, a stranger (Ed Harris) comes to the door saying he thought they were a bed and breakfast, and against mother’s wishes, the poet invites him to stay the night. The next morning, his fiendish wife (Michelle Pfeiffer) unexpectedly arrives as well. The duo becomes an ocean of unruly house guests as they surreally act out the Bible.

In its most basic elements, mother! is a master class in building and toying with tension. The camera is hyper-focused on the mother character, with barely a shot that she isn’t in or isn’t explicitly from her point of view. Despite her almost constant presence on screen, the camera is so close to her that it’s rare to see above her hairline or below her collarbone — and the wide shots that show her feet are outright jarring.

Continue reading

Posted in Entropy | Tagged , , , , , , , , , | Leave a comment