‘First Reformed’ a technical masterpiece

Image courtesy A24.

9/10 First Reformed is turning heads and starting conversations, and that’s what’ll get you in the door. What’ll keep you on the edge of your seat is a textbook work of art, a film in which every frame is completely perfect.

At a rural historical church somewhere in the Tri-State area, Reverend Toller (Ethan Hawke) has lost the ability to pray. He keeps a nightly journal about his crisis of faith, and will frequently read it as narration over the action of the preceding day. One of his parishioners, Mary (Amanda Seyfried), requests Toller’s help in counseling her husband Michael (Philip Ettinger), a radical environmentalist who wants her to terminate their pregnancy because he thinks it would be irresponsible to bring a child to term.

Toller drinks heavily as he writes. He says that he will not allow himself to remove entries in his journal or scratch out even a single word, but each night we see him, he is starting on a blank page, and nothing seems to have been written on the opposite side, casting extreme doubt on his honesty as a narrator. As his physical and mental health deteriorates, he writes and narrates less and less frequently and his onscreen experiences become more and more bizarre.

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Against all odds, ‘Solo’ is pretty good

Images courtesy Walt Disney Studios Motion Pictures.

8/10 It’s finally here — Solo: A Star Wars Story, the movie-like Star Wars product that no one waited for. That’s not to say it wasn’t anticipated, but no one at Disney wasted even a moment holding their breath for this. This movie was scheduled for the original Star Wars’ 41st anniversary May 25, 2018, and come hell or high water, it was releasing on this date.

No matter what.

Surrounded by extraordinary cynicism stemming from one of the most publicly botched productions in recent memory, merely being watchable would have been a major success for Solo. It does better than that — it’s actually a lot of fun.

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Deadpool disappoints in part deux

Images courtesy 20th Century Fox.

3/10 A few months ago, I heard Deadpool 2 still didn’t have an official title, and production had used the placeholder Untitled Deadpool Sequel. I thought it was hilarious. By not titling the movie, they were opening the door to both play with several clever sequel titles and also mock its own production for not having come up with one yet.

But now the movie’s here, and it’s selling tickets as Deadpool 2. Doesn’t have a titlecard anywhere. After having had the idea for that joke, and thought the producers had the idea for that joke, seeing the movie completely ignore it feels like a missed opportunity.

There’s a lot about Deadpool 2 that feels like a missed opportunity.

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Storytelling highs, exploitative lows of ‘Disobedience’

Images courtesy Bleeker Street.

5/10 In a rural England synagogue, Rabbi Rav Krushka (Anton Lesser) speaks about the creation of the angels and man and our freedom to choose our own destiny before collapsing, succumbing to his pneumonia in front of his congregation.

In New York City, Krushka’s only child, Ronit (Rachel Weisz, who also produces), learns of his death and races home. She was cast out of the arch-conservative Orthodox Jewish community some years earlier for her relationship with another young woman as an adolescent, and is not welcomed back. Though she came primarily for her inheritance, she finds that the Rav wrote her completely out of his will, and the local newspaper explicitly mentions he had no children.

In addition to quickly finding she is unwanted and has no real reason to be there, Ronit learns her adoptive brother and the Rav’s closest student Dovid Kuperman (Alessandro Nivola) and her childhood lover Esti (Rachel McAdams) have married.

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Strong performances, lazy production leave ‘Infinity War’ uneven

The mad titan, death incarnate, scrotumface. Images courtesy Walt Disney Motion Picture Studios.

7/10 It’s upper-echelon for the MCU, but for half a billion dollars, does it have to be so ugly?

In Avengers: Infinity War, Earth’s mightiest heroes are once again called to action to protect it from an unstoppable alien threat. This time it’s Thanos (Josh Brolin), a mad god who has decided that the only way to save the universe from its inevitable heat death is to murder exactly half the population. To make this easier on himself, he is seeking the six infinity stones, artifacts from the dawn of time that, once collected, will allow him to accomplish his goals with a literal snap of his fingers.

Infinity War has a lot of effective moments and a lot that falls flat. Part of the trouble with creating crowd-pleasers that are supposed to be everything to everyone is you almost always end up with something uneven with some scenes far less interesting than others.

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