Scorsese lays out fears in ‘Irishman’

Eyuuuckh. Images courtesy Netflix.

5/10 So, don’t tell anybody about this, but I think Martin Scorsese might be a little nervous about dying.

In I Heard You Paint Houses — marketing title The Irishman — an elderly Frank “The Irishman” Sheeran (Robert De Niro), nearly dead in his Philadelphia hospice, tells all about his years as a hitman for the Bufalino crime family. After coming home from World War II in 1945, Sheeran takes a job as a truck driver, doing crimes for extra money on the side. Boss Russell Bufalino (Joe Pesci) himself takes Sheeran under his wing, eventually introducing him to union head Jimmy Hoffa (Al Pacino). Sheeran becomes a mass murderer under Bufalino and as Hoffa’s bodyguard.

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Horrifying ‘Torture Report’ brings evil to life

Man, I just love Adam Driver. He’s easily the best thing to come out of the Sequel Trilogy. Images courtesy Amazon Studios.

6/10 I wonder if this will finally get Ellen to dump George. 

The Torture Report chronicles Daniel J. Jones’ (Adam Driver) investigation into the U.S.’ torture of enemy combatants after the Sept. 11 attacks. A congressional aid for California Senator Dianne Feinstein (Annette Bening), Jones is assigned in 2009 to go through the CIA’s full documentation of the “enhanced interrogation” program that was employed at Abu Ghraib prison and the Guantanamo Bay detention center. The film cuts between Jones’ seven-year investigation and fight to get it published and the architecture of the torture program he was investigating, pioneered by psychologists Bruce Jessen and James Elmer Mitchell (T. Ryder Smith and Douglas Hodge). 

Fighting multiple political foes at different points, Jones eventually got a a 525-page summary of his 6,700-page report released. The report details a repulsive, woefully ineffective and pathologically stupid torture program. The film portrays interrogation techniques that are not only unproductive and morally wrong, but that replaced traditional interrogation methods that had been working just fine. U.S. operatives never gained a single piece of new, accurate information from the use of torture. 

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‘Jumanji’ stagnates on its ‘Next Level’

Jumanji: The Next Level remains fairly monochrome, but takes us out of the jungle and into the desert and then the mountains with a dark village in between. It’s usually all one color on the screen, but it’s not just green the whole time, which is a nice change. Images courtesy Sony Pictures Releasing.

7/10 There’s a great deal of potential in these new Jumanji films, but Jumanji: The Next Level doesn’t quite live up to it. 

A year and change later, the four heroes of Jumanji: Welcome to the Jungle, who remained close friends, have gone their separate ways to college. Most are successful and happy, but Spencer Gilpin (Alex Wolff) is suffering at NYU. After inhabiting the body of Smolder Bravestone (Dwayne Johnson), and experiencing the confidence that came with it, his intelligence, technical skills and being an extremely handsome guy in his own right just don’t compare. Home for winter break, instead of reuniting with his comrades, Gilpin rebuilds the enchanted video game and enters Jumanji to experience that confidence again.

His worried teammates, Anthony “Fridge” Johnson (Ser’Darius Blain), Bethany Walker (Madison Iseman) and girlfriend Martha Kaply (Morgan Turner) discover what Gilpin’s done and go after him, but inadvertently suck in his grandfather Eddie (Danny DeVito) and Eddie’s old business partner Milo Walker (Danny Glover). The character selection is wonky, which becomes a huge problem when Eddie Gilpin, who has no idea where he is or what’s going on, is assigned the vital Bravestone character.

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‘Dark Waters’ wants to be the next ‘Spotlight,’ but this ain’t it

This is Mark Ruffalo’s movie. The lifelong activist picked up on the New York Times Magazine story and worked with Bilott directly in the making of it. His desperate performance is one of the only things propping Dark Waters up. Images courtesy Focus Features.

3/10 Dark Waters is by no means a bad movie, but it isn’t good, and it seems to know and be weirdly self-conscious about that.

Dark Waters, based on the New York Times Magazine Article “The Lawyer Who Became DuPont’s Worst Nightmare” by Nathaniel Rich, tells the true story of lawyer Rob Bilott (Mark Ruffalo, who also produces), a Cincinnati lawyer who spent 20 years litigating and shining a light on the hazardous dumping of perfluorooctanoic acid (PFOA) by DuPont Industries. PFOA is used in the production of Teflon, the space-age non-stick cooking surface that was one of DuPont’s most popular products. Through litigation, Bilott produced a study linking PFOA exposure to six chronic health conditions, including kidney and testicular cancer, and produced documents proving DuPont had discovered these correlations in its own employees decades ago, but had declined to change their business practices because Teflon was making them so much money.

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‘Queen and Slim’ a haunting story of black love, identity

Image courtesy Universal Pictures.

9/10 Queen and Slim is highly topical, but so powerful that it rises above its tight ties to its moment in time.

In Queen and Slim, a pair of relative strangers driving home from a Tinder date (Jodie Turner-Smith and Daniel Kaluuya) are pulled over and given a hard time by a cop (Sturgill Simpson). The officer opens fire and is killed in the ensuing scuffle. Instantly the subjects of a nationwide manhunt, the pair drives from Ohio to Louisiana and then to Florida, determining that their only hope to make it to Cuba.

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