8/10 Cruella is a bold, fast, fun, intricately detailed and remarkably complex film about power, destiny, art and cruelty. In the past decade’s long and mostly painful parade of uncurious, unnecessary remakes of Disney classics, it immediately becomes the best and by a significant margin.
London, 1970s- A little gay kid named Estella Miller (Emma Stone, who also produces executively) grows up orphaned on the streets of London as a petty thief who really wants to be a fashion designer. In her childhood, Miller was forced to hide her extreme gayness, stuffing her split black-and-white hair under a rust wig and suppressing her sadistic, borderline psychotic tendencies, which she externalizes as a separate personality called Cruella.
Miller lands a dream job with London fashion mogul Baroness von Hellman (Emma Thompson), but soon realizes it was the baroness who killed her mother by siccing her attack dalmatians on her. Miller dusts off her suppressed gayness, using her natural hair as a disguise and adopting Cruella as an alter ego to wage what can only be described as guerilla fashion warfare on the baroness, sabotaging her new lines, ambushing and upstaging her at every event and sucking all the air out of the fashion media, bent on taking away the baroness’ identity – her professional stature, her confidence, her dogs and her possessions – before taking her life.
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