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Recent Posts
- Melania Trump’s cinema of omission January 31, 2026
- The poorly fitting patchwork of del Toro’s ‘Frankenstein’ November 17, 2025
- ‘Badlands’ second Disney-era ‘Predator’ movie, second new franchise best November 11, 2025
- ‘Megalopolis,’ Coppola’s triumphant ode to human nature October 14, 2025
- ‘The Substance:’ permission to hurt yourself October 14, 2025
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Category Archives: Entropy
Melania Trump’s cinema of omission
The only sequence in Melania that threatens to expand into a watchable narrative with conflict and stakes appears suddenly through the morass of extended scenes of nothing happening. Former president Jimmy Carter has died, and Melania Trump, credited as star … Continue reading
The poorly fitting patchwork of del Toro’s ‘Frankenstein’
What’s happened is writer/director/producer Guillermo del Toro has made the same movie he’s been making for 30 years and stitched a heavily altered Sparknotes version of “Frankenstein” overtop of it, just detailed enough that you’ll hear some of the main … Continue reading
Posted in Entropy
Tagged Frankenstein, Fuck AI, Guillermo del Toro, Hot Topic, Jacob Elordi, Mia Goth, Netflix, Oscar Isaac
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‘Badlands’ second Disney-era ‘Predator’ movie, second new franchise best
Predator: Badlands is a movie, a real one, the kind you grew up hearing about. It’s got everything – constant action, adventure to far-away lands, coming of age, complex relationships between technology and nature, rugged individualism weighed against a communal … Continue reading
Posted in Entropy
Tagged 20th Century Studios, Blade Runner 2049, Dan Trachtenberg, Disney, MCU, Predator, Predator: Badlands, Prey
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‘Megalopolis,’ Coppola’s triumphant ode to human nature
Megalopolis is the masterpiece at the end of time, the scrambled ramblings of an octogenarian who has watched the world rise out of and fall back into fascism, at once resigned, hopeful, crass, depraved, bitterly audacious and frequently laugh-out-loud funny … Continue reading
Posted in Beta Decay, Entropy
Tagged Apocalypse Now, Aubrey Plaza, Francis Ford Coppola, Megalopolis
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‘The Substance:’ permission to hurt yourself
The Substance is an indie masterpiece destined to turn filmmaking on its head overnight with its furious satire, retro techniques and list of B-movie references so long it reminds me of Pulp Fiction, another Franken-movie built out of references to … Continue reading
Posted in Entropy
Tagged Coralie Fargeat, Demi Moore, French New Wave, Margaret Qualley, Pulp Fiction, Quentin Tarantino, The Shining, The Substance
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