-
Recent Posts
- ‘Carolina Caroline’ and that magical indie feeling June 8, 2026
- The exhausted ‘Star Wars’ of the ‘20s May 26, 2026
- Melania Trump’s cinema of omission January 31, 2026
- The poorly fitting patchwork of del Toro’s ‘Frankenstein’ November 17, 2025
- ‘Badlands’ second Disney-era ‘Predator’ movie, second new franchise best November 11, 2025
Archives
Meta
Author Archives: reelentropy
NATO chief declares 2015 “year of women”
Following the success of Fifty Shades of Grey, Cinderella and Insurgent, the National Association of Theater Owners chief John Fithian has said 2015 will be the biggest year ever at the international box office and women are the reason why. Via The Hollywood Reporter– … Continue reading
Posted in The Möbius strip
Leave a comment
What is the “It” in It Follows?
It Follows does exactly what it says on the tin — it feels like an urban legend you’ve known your entire life. Early in the film, Jay Height (Maika Monroe) has sex with her new boyfriend, Hugh (Jake Weary), who gives … Continue reading
Posted in Entropy
2 Comments
Paul Blart sequel just as terrible as first film
This is what you do. This is what you mother fuckers do. You easily entertained, intellectually infantile, giggle-while-you-watch-shadows-dance-on-the-cave-wall idiots. You people who think 3D is actually worth something, you people who shell out for that shot of Taylor Lautner’s abs that … Continue reading
Reely understanding The Fast and the Furious
Going into what should be Furious 7’s third straight week at no. 1, I wanted to jot something down about the first Fast and the Furious movie. A big part of how this series has stayed fresh is through stunts that are constantly escalating. From … Continue reading
Posted in A less chaotic state, Reel understanding
Tagged #fast5, #fast7, #fastfurious7, #jacksparrow, #paulwalker, #pirates3, #thefastandthefurious, #vindiesel
1 Comment
Unfriended chills with good old-fashioned character drama
Unfriended is a bold, refreshing horror movie, not because of its found-footage ish central conceit, but because of what it’s about. The film is almost entirely in one long screen take of Blaire Lily’s (Shelley Hennig) computer. She Skypes with her … Continue reading