‘Quantumania:’ or, ‘imagine if Rick and Morty sucked’

Part of the solution for Ant-Man’s unpopularity has been to add more characters, and you end up with this “Power Rangers” array of Ant-people. Images courtesy Walt Disney Studios Motion Pictures.

3/10 Oh, Ant-Man. What did you do to deserve getting stepped on like this? In that iconic moment in an iconic movie when the Avengers assembled onscreen for the first time, Ant-Man was already the butt of the joke. He was the Avenger all the “geek culture” magazines, such as they were all those centuries ago in May 2012, were baiting clicks with. Do you know which original Avenger didn’t appear in The Avengers? “Wow” all your friends and distinguish yourself as the true geek among all the bandwagoners with this one bit of trivia!

Ant-Man was the first Marvel movie to openly suck. Of course the Captain America movies left me wanting and everyone can admit the Thor movies are a letdown, but Ant-Man was the first one that felt skippable, and a lot of people skipped it. Its $57.2 million opening is pitiful by MCU standards, only the second-worst at the time to the Incredible Hulk movie that still barely registers as part of the series.

The Avengers was followed by a weighty year-long pause, the longest we would go without an MCU release until the COVID-19 crisis, and then Iron Man 3, which engaged directly with the series’ most popular character’s PTSD from the immediately preceding film. Avengers: Age of Ultron was followed up two months later by a new character who’d already been introduced as the butt of a big joke.

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‘Last Dance,’ and many more to come

Images courtesy Warner Bros. Pictures.

8/10 Magic Mike’s Last Dance occupies a weird spot in history. It caps an unexpected trilogy of male stripper movies stretching back to 2012, but is both born out of and works to support the ways the brand is expanding in 2023. It does the business of, essentially, selling tickets for other media, but director Steven Soderbergh is back, and the humanity that’s made the series unique is on full display.

In Magic Mike’s Last Dance, “Magic” Mike Lane (Channing Tatum, who also produces), too old to strip, has taken to pop-up bartending gigs after his furniture store went under in the COVID-19 crisis. Max Mendoza (Salma Hayek Pinault), love-starved in the middle of an upper-class divorce, gets wind that he used to be a stripper and offers him $6,000 for one last dance, and when Lane makes her feel things she’s never felt before, she offers him $60,000 to put on a show at her husband’s historic Rattigan Theatre in London.

Magic Mike’s Last Dance cannot be separated from “Magic Mike Live,” the show that started in Las Vegas in 2017 and grew into a global tour, expanding Magic Mike the movie into “Magic Mike” the global brand. This brand includes the reality competition show “Finding Magic Mike” in which “Magic Mike” is expanded from a specific person’s name into a title.

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The gay apocalypse knocking at the door

They have to make a Sophie’s Choice, or it’ll be a Cabin in the Woods and the Apocalypse will be Now! Images courtesy Universal Pictures.

8/10 Knock at the Cabin is a feature-length exploration of the “Bury Your Gays” trope. It’s not totally insightful or necessary, but it speaks directly to the viewers’ subconscious and it’s quite well-acted and shot.

During a family vacation at a remote cabin, Eric and Andrew (Jonathan Groff and Ben Aldridge) and their 7-year-old adopted daughter, Wen (Kristen Cui), are assaulted and tied down by four strangers. The leader, schoolteacher Leonard Brocht (Dave Bautista), tells the family they must select one of their own to sacrifice, performing the murder themselves, or the apocalypse will happen. Brocht and his cohorts work to keep the couple bound and convince them they aren’t lying, but the couple thinks it’s some kind of twisted homophobic torture, especially since one of their attackers, Redmond (Rupert Grint), already assaulted Andrew in a Boston bar while they were on a date some years ago.

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In the house with ‘Skinamarink,’ the next genre-shaking internet horror classic

Image courtesy Shudder.

8/10 Skinamarink, 2023’s new internet horror classic, is intentionally uncomfortable, incisively symbolic and coldly denies any literal interpretation. It’s definitely not for everyone, but I got a lot out of it.

Writer/director/editor Kyle Edward Ball’s childhood home in Edmonton, Alberta, 1995- Kevin and Kaylee (Lucas Paul and Dali Rose Tetreault), 4 and 6, wake up to discover their parents are gone and all the doors and windows have disappeared. Trapped without even a way to mark time, the children collect their toys and camp out in the living room, but must contend with the commands of the shadow monster who lives upstairs.

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‘John Wick 4’ roars, soars to new heights of violence, coolness

Images courtesy Lionsgate.

9/10 John Wick: Chapter 4 is a sprawling triumph of decadent, excessive cinema, a flaming, neon capstone for the humble action franchise that could with nothing but a charismatic star, a lot of top-end stuntmen, about 900 gallons of fake blood, blue-collar work ethic and above black-tie style.

New York City- John Wick (Keanu Reeves, who also produces executively), a legendary assassin pulled out of retirement by random acts of violence and blood oaths he thought he’d gotten out of, has committed underworld crimes that have made his life forfeit several times over. The High Table, which governs this league of assassins, has appointed the cowardly Marquis Vincent de Gramont (Bill Skarsgård) to root him out by any means necessary, including going after the Continental hotel managers who might be hiding him. To save them, Wick must go on an odyssey from Paris to Berlin to Osaka, Japan to earn the standing to challenge de Gramont to a duel for amnesty, but he has to fight apparently the entire city of Paris to get there.

The torrid stampede of action-violence rages on. Wick’s roaring rampage of revenge has become a fight for freedom, and the ocean of killers in his way only gets deeper and better-equipped. What seems like one long, long fighting chase scene stretching across multiple films only becomes more extreme in John Wick: Chapter 4.

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