Tag Archives: #sony

‘Spider-Verse’ a brilliant, beautiful collision of aesthetics, stories

Posted on December 24, 2018 by reelentropy

8/10 Given Sony’s recent history of desperate moneygrubbing, both in general and with Spider-man in particular, I was more than happy to skip Spider-Man: Into the Spider-Verse. The film’s premise makes it feel like a gimmick to kick-start the Spider-verse … Continue reading →

Posted in Entropy | Tagged #Avengers, #ghostbusters, #liev schreiber, #sin city, #sony, #X-Men, 12 fps, Adam West, Bob Persichetti, Chris Pine, Hailee Steinfeld, Jake Johnson, John Mulaney, Kimiko Glenn, Marvel Cinematic Universe, Nicolas Cage, Peter Ramsey, Rodney Rothman, Shameik moore, Spider-Man, Spider-Man: Into the Spider-Verse | Leave a comment

Sony is a terrible company that makes bad decisions: a ‘Girl in the Spider’s Web’ story

Posted on November 29, 2018 by reelentropy

2/10 In 2011, Sony released its English-language adaptation of The Girl with the Dragon Tattoo, directed by David Fincher and starring Rooney Mara and Daniel Craig, and it was a huge success. It pulled in $232.6 million worldwide for the … Continue reading →

Posted in Entropy | Tagged #daniel craig, #rooney mara, #sony, Bulletin of Atomic Scientists, Claire Foy, David Fincher, Fede Alvarez, Millenium, Stephen Marchant, Sylvia Hoeks, Synnove Macody Lund, The Girl in the Spider's Web, The Girl who Kicked the Hornet's Nest, The Girl who Played with Fire, The Girl with the Dragon Tattoo | Leave a comment

Only official ‘Slender Man’ movie is the worst ‘Slender Man’ movie

Posted on October 3, 2018 by reelentropy

1/10 And now to dissect Slender Man, the movie its own studio didn’t want you to see. In rural Massachusetts, four bored teenagers summon the Slender Man. They do this by watching a video on the Internet straight out of … Continue reading →

Posted in Entropy | Tagged #deadpool, #sony, #the witch, It, Occulus, postmodernism, Slender Man, the babadook, The Ring | Leave a comment

The most important movies of 2017

Posted on January 1, 2018 by reelentropy

Top 10 lists are stupid and dumb and boring to write and boring to read. At Reel Entropy, we know better, so we do better — instead of talking about the best movies of the year, we’re going to bring … Continue reading →

Posted in White Noise | Tagged #ant-man, #black panther, #deadpool, #denis villeneuve, #Disney, #donald trump, #john wick, #justice league, #rotten tomatoes, #sony, #star wars, #steven soderbergh, #suicide squad, #the force awakens, #warner bros., #wonder woman, aquaman, Atomic Blonde, Beauty and the Beast, Blade Runner 2049, Bright, Chad Stahelski, Darren Aronofsky, David Leitch, Deadpool 2, Edgar Wright, Episode IX, Flashpoint, Fox, gareth edwards, Get Out, It, John Wick: Chapter 2, John Wick: Chapter 3, Jordan Peele, Kevin Tsujihara, Logan, Logan Lucky, mother!, rogue one, Solo, The Highlander, The Last Jedi, the worst August in 20 years, Thor: Ragnarok, Wisecracked | Leave a comment

The Möbius strip: ‘Blade Runner’ flops, Harvey Weinstein exposed as a sexual predator

Posted on October 10, 2017 by reelentropy

Blade Runner 2049 won the weekend box office, but its $32.8 million intake was a fraction of the $50 million domestic the studios were expecting. That said, it should hardly surprise that a film saddled with the combined incompetence of … Continue reading →

Posted in The Möbius strip | Tagged #black panther, #deadpool, #dustin hoffman, #hillary clinton, #quentin tarantino, #sony, #star wars, #the graduate, #the weinstein company, #warner bros., Blade Runner, Blade Runner 2049, Get Out, Harvey Weinstein, Jason Blum, kevin smith, Las Vegas, Mean Girls, Mean Girls Day, Miramax, Split, The Last Jedi, The New York Times, Thor: Ragnarok | Leave a comment